Wonka: A World Of Prequel Imagination

 I missed this movie when it was in theaters, it just seemed to pass me by, but now Easter is just about here and people love chocolate, this movie is available on streaming so now seems like the best time if ever to finally cover this film. This movie was a massive success but was also in the camp of movies that were musicals that did not advertise as such, which makes me concerned if the music was something they wanted to hide, not just to try and sell something that it is not. So let's see if this movie is a golden ticket, or perhaps just a chocolate bar with nothing else inside. 

The movie follows Willy Wonka in a prequel story as he tries to find a world where he can express his creative thoughts, but also get him and his friends out of a massive and overwhelming debt while dealing with the chocolate cartel. Now going into this origin story, we have two versions of the same story, the Gene Wylder classic, and the Tim Burton remake, as well as a Broadway version that differs from those two, giving us four different Wonkas to work with, and how did this one do? I will not comment much on the Broadway version as I have not seen it or listened to it. 

Timothee Chalmaine did a really good job, he though does not feel like he would become the one we know from the classic film, but he is super charming and did great. Having a likable lead goes a long way, most of the acting is enjoyable works for this world. Not as good as Gene's but definitely a step in the right direction and better than Depp's, and even has room to change and grow. The presentation is mostly good, looks like a warm and welcoming world most of the time. So the lead and the supporting help carry this film but what about the music

The music is like an assorted bag of chocolates of differing in quality leaving some favorites and some to be desired, of course, the remixes of the classics worked, but some of the new music is great. The two large group numbers were amazing and worked well, fitting in this charming world the movie created. Even though not all of the songs work, a good number do and can be enjoyed. The songs were not on par with the classic film but worked in their own way. The background score was filled with homages and so were a couple jokes which were nice as well, helping bring whimsy to the whimsical story and world. 

This film is charming, I enjoyed it mostly. I enjoyed and intend to listen to a good number of songs, chuckled at some of the jokes, and enjoyed this. I would say it reminded me in some ways even with some side stories of the Netflix Matilda but in a good way. Some charming music, good presentation, and good action. Very much feels like a Rhold Dahl work, and fitting in the worlds and style he created. I enjoyed many things from the acting to the songs, and even some of the score, the fact that I enjoyed some of the new music was a surprise and treat I did not expect going in, but glad I found a couple new songs to listen to with the original as some good takes on classic songs we love. 

The movie is great for people who are creative, whether in art, writing or in this case baking. The movie blooms with inspiration and encourages creativity, showing that big and bland businesses can not stop the dreamers of the world. The whimsical messages about dreaming and having an imagination not only fit for the world and characters but also the audience, the messages are well played and given well. Anyone who is of creative inclination should give this movie a watch, much like something like La La Land, it was made for dreamers. 

Though I enjoyed this movie there were a few shortcomings that held the movie back for me, the CGI is not very good when used, the story lost itself a little bit in the last act before settling back in, and some of the writing was nothing special. The one major grip I have seen is people saying that this Wonka would not become the one in the classic Gene Wylder version, which I agree with because this one lacks the jaded cynicism and negative view that Charley would teach him. They just might make a sequel due to the nature of Hollywood and the success of this movie and if they do, they need to connect the dots better that leads to the classic film, which could even lead to a strong emotional impact to see such a hopeful young man lose that spark. This one is a wide eye dreamer wistful type from start to finish, but if I found myself viewing this as a different version it definitely softened the blow a little. There is a Broadway adaptation, and now three different film versions of this character, and I am sure there will be more, this is just one of them. It is just held back by using nostalgic music and not being truly original. But with these small grips aside, there as you see was plenty I did like. 

This movie like a chocolate bar was short and sweet, maybe not my favorite flavor but one I would not mind having again a couple times. Maybe I will even like the movie more than I already do on a repeated viewing, I can see myself watching this from time to time and enjoying it. There is plenty to enjoy and I did enjoy it, this movie didn't have a lasting effect like the classic, but was sweeter than the Tim Burton version. A fun time for the whole family that is sweet and works in some ways, though it has some crunch in others, an overall enjoyable time and worth a viewing, with some good messages about dreaming and encouraging creativity. It reminded me of why I liked the Matilda movie musical that Netflix did not too long ago and this goes along with and is on par with that, a fun, musical family film. 

Could We Get More Musical Movies Based On Movie Musicals?

 With the movie version of the Mean Girls musical closing in theaters and moving to streaming, and Wonka now heading to streaming and DVD, I was thinking about these two films, especially Mean Girls. Both were moderate successes financially but seeing Mean Girls turn a profit has me asking a question. Are we going to get more movie musicals based on stage musicals that are based on a movie? A mouthful of a question but one I wanted to ask, so let's explore and look deeper into what this could mean for the future of movie musicals.

The approach I want to take is weighing the pros and cons, balancing both, and then making my decisions. Already I know that Broadway musicals are going to get adaptations in film whether they are themselves adaptations or not, Shucked already has a film in the works, and Wicked's movie is fast approaching at the time of this post. So this is purely on movies that become musicals, and then become musical movies purely, and so far Mean Girls, Matilda and The Color Purple are the only pieces of media we can use as an example. I am not counting the Disney live-action remakes because even though many started as animated movie musicals, then became Broadway musicals, and then back to the movies since they started as musicals. I am talking about something that was not a musical and began as a film, then was adapted for the stage and then back. Now with the preliminary qualifiers set, we can have a clear view to dive into this concept. 

Looking at the pros, it does help people see the musical in case they miss it for whatever reason. If it is made well then it can be something viewed easier and more frequently than that of a live stage show. With something like Mean Girls there were cut songs, scenes with visual flare, and different performers than that of the stage version, thus giving incentive to check it out. In terms of finances seeing movies in theaters, renting them at home, or catching them on a streaming service is way less risky than the prices of even a balcony seat. These could be good testing grounds for people to see if they like the base plot and the music, to see if they like the changes implemented, this could even sell people on the stage versions if they wish to see more. This could convince people to see live theater if these are made well, or even if they are not made well but have stand-out moments to pique the audience's curiosity to see it live. There are many low-risk and high-reward upsides to making a movie based on the musical adaptation of a movie which can lead to buying the film, seeing it again, streaming the music, or even seeing it live to see what the film changed. I did not see the Mean Girls musical on stage, but the film had me considering it the next time I am given the chance. But as good as all of this sounds, this could prove to be a double-edged sword as well. 

One problem is the lack of originality, to use an example from earlier, like the Disney live-action remakes, people will question the need or relevance of this. Mean Girls was advertised much like The Color Purple as a reimagining of classic films, and not shown off as musical. They looked to be reboots and the public's opinion on reboots, understandably rises and falls. Asking why something needs to be made when the original is already considered good, why the studio didn't make something new with their resources, and why try to cash in on something that had its time are all valid criticisms. Audiences have been questioning making movies that were not into musicals into such for a while, because even when we get a well-made show that is on par as a new form of something beloved or even surpasses the source that is in a sea of shows that are not quite up to snuff. For every Legally Blonde or Back To The Future, there's a Groundhog Day or School Of Rock, for every Matilda and Spongebob there's a Spicer-Man Turn Off The Dark. Then there are some like Pretty Woman, Mean Girls, or The Wedding Singer which have great moments but are just overall okay in the end. And not saying that original musicals can't be just okay, or have flops, trust me, and even then opinions can change with the wind, but in terms of this, maybe sometimes a story needs to just end on the stage. Would a Back To The Future musical movie, advertised as a reboot, trick audiences into seeing it work? Part of the problem which I have discussed at length is the way movie musicals are being shown to the public at the moment, and how there needs to be honesty. I feel that people would treat a musical adaptation the way people treat reboots, which is some will hate it, some will love it, but in the end, many will deem it unnecessary. Musicals could be used now instead of reboots to make a new reimagining different enough to make a property marketable. 

In the case of something like Matilda which like Mean Girls was originally before being put in theater was made for streaming, and many people liked it. When I watched Mean Girls, I could tell it was made for streaming services with its size, scale, and budget. And perhaps that could be a good middle ground, making movie musical adaptations for streaming services, showing that they can be different and work. Letting someone see it for themselves from the comfort of their own home with the ability to stop whenever they want to, instead of tricking them into a one-time movie ticket purchase for their money. Earning their money honestly by advertising something as is and seeing how someone's curiosity can lead them to form an opinion. I think in the realm of streaming services movie studios should keep trying this, so we can get more cool and different adaptations like Matilda. Perhaps The Color Purple would have not lost as much money if it was made for MAX with a reasonable budget. What do you think? Do you want to see more?